Raving reviews for A Quiet Place
‘Conductor Karel Deseure and Philharmonie Zuidnederland, on the other hand, exchanged effortlessly of musical form. And so a chemistry emerged between orchestra, singers and direction that revealed the inner essence of this opera: it is not about hearing but about listening.’
**** NRC, Joost Galema, 12 November 2018
‘Conductor Karel Deseure gave this musical palette plenty of color. He gave excellent leadership to the beautifully playing philharmonie zuidnederland.’
***** Peter Franken, Place de l’opera, 10 November 2018
‘Bernstein’s music is accessible, but it is quite complex. The way in which the Philharmonie Zuidnederland, Karel Deseure and the many-headed cast that give shape, deserves praise.’
**** Volkskrant, Frits van der Waa, 13 November 2018
‘Conductor Karel Deseure we have to redeem from the label “promising”; the man is a top conductor… Deseure conjured up with his baton sounds of Strausserische glow, but also of Gershwin-esque swing. A big and compelling pleasure.’
Operagazet, Olivier Keegel, 10 November 2018
‘In the choir and orchestra, the love for Bernstein’s music blossomed. Under the steady hand of Karel Deseure, the South Netherlands Philharmonic played with great commitment. The orchestral sound had a direct character in a relaxed combination of sweetness and swing.’
**** Trouw, Frederike Berntsen, 15 November 2018
‘The young Belgian conductor led the newly-formed South Netherlands Philharmonic with a lot of verve.’
Theaterkrant, Max Arian,15 November 2018
‘Dem belgischen Dirigenten Karel Deseure gelang es am Pult der Philharmonie Zuidnederland, auf die unterschiedlichen Facetten dieser etwas überambitionierten Oper einzugehen, ohne den Faden zu verlieren. Transparent und differenziert gestaltete das Orchester die von Bernsteins Parlando durchzogenen Rand-Akte, peitschte die Musiker pointiert und wirkungsvoll mitsamt voll besetztem Schlagzeug durch die tänzelnden Rhyth- men des zweiten Aufzugs und ließ sogar am Ende der Oper den Eindruck musikalischer Geschlos- senheit entstehen.’
Das Opernglas, M. Fiedler, January 2019